Originally posted by zad0030
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There is a lot to it.
We work with the cone for determining mass and stiffness
We work with the suspension to manipulate its springiness and damping
We work with the voice coils to figure out how how best to wire them; size, turns, etc...
We work wit the permanent magnets to spec them for power damping, etc.
The we work with any and all crossovers to determine the components and the proper values to make any woofers/midranges work well with any tweeters..
On the LF side, we take into account all of the electrical and mechanical characteristics of any subwoofers, and work with those values to determine proper air volumes, tuning frwquencies, vent diameters and lengths..
This is a real quick overview, but points to the fact that under the simple-sounding umbrella called acoustical engineering there are a lot of trades, disciplines, and arts involved..
Put another way we are geeks, only we play with sound rather than computers... This one has a few boats...
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